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Featured Articles,
Posted 30 Aug 2023
I had the opportunity to try and learn to surf earlier this year. I'm very glad that I took the lessons because I soon found out how hard surfing really is. While trying, failing, getting hurt, watching, and learning, I saw some parallels between my lessons on the water and the streaming business—which isn't quite as easy as it looks either.
Featured Articles,
Posted 30 Aug 2023
As more and more live streaming content is consumed on a widely disparate group of devices—including both lowerand upper-end mobile phones and tablets, as well as smart TVs and 4K-capable set-top boxes (STBs)—the decisions around choosing a live streaming encoder have grown more complex.
Featured Articles,
Posted 16 Aug 2023
In today's competitive online video market—where quality of experience is table stakes—ensuring your team has the right encoder for your unique needs is key. Streaming data must be compressed for efficient delivery without sacrificing quality. While most encoders deliver on this requirement, they vary in terms of performance and feature set.
Featured Articles,
Posted 16 Aug 2023
New survey launches today covering live event market
Featured Articles,
Posted 02 Aug 2023
There's a lot more imperfect gear on the market than ever before—gear we can't count on from gig to gig. Gear that can't deliver reliable video. Features that work and then don't. Devices that connect and then don't. We've lost core reliability. Bulletproof needs to be a feature.
Featured Articles,
Posted 26 Jul 2023
What's your favorite streaming tool, tech, or service? What is the year's biggest innovation? It's time to make your nominations for the only awards in the online video industry that are chosen by end users.
Featured Articles,
Posted 26 Jul 2023
Most live-streamed productions are almost entirely focused delivering a great stream to a live audience, but if you're not thinking about the flip to VOD when you're live, many producers would argue that it's one of the first things you should be thinking when the live show ends.
Featured Articles,
Posted 18 Jul 2023
180º Productions leverages an ATEM Television Studio HD8 live production switcher, coupled with ATEM Microphone Converter for audio input expansion for live streaming and live production, along with two Blackmagic Studio Camera 4K Pluses to capture content and two Blackmagic Web Presenter streaming solutions, and the Blackmagic Video Assist 5" 12G HDR monitor/recorder and HyperDeck Studio HD Pro broadcast deck.
Featured Articles,
Posted 18 Jul 2023
The USB Fusion is a device that can be used in a production environment for local content feeds/sources. It can be used to input various sources such as HDMI devices, webcams, USB microphones, videos, images, screenshares, and other items. The USB Fusion is touted as a tool to make your online lectures and virtual events more engaging and to easily combine numerous sources into attractive live presentations for remote education, webinars, live streaming, and video conferencing.
Featured Articles,
Posted 05 Jul 2023
Streaming Media announced today that Evan Shapiro, self-described "media cartographer" whose incisive data presentation, analysis, and commentary is mapping out the future of the streaming media industry and overall entertainment sector, has signed on as host and MC of the next Streaming Media Connect virtual event, which runs August 22-24.
Featured Articles,
Posted 05 Jul 2023
Ai-Media's Matthew Mello talks with Tim Siglin about the evolution of AI captioning in this exclusive interview from Streaming Media East 2023.
Featured Articles,
Posted 28 Jun 2023
The Blackmagic Design Television Studio ATEM HD8 ($2,995) and HD8 ISO ($3,995) are all-in-one HD video switcher/broadcast control panels. On their own they are very capable HD video switchers suitable for studio installations and remote productions. The magic with these switchers is that when paired with other supported Blackmagic gear, they can unlock unique production workflow solutions that are easy to implement and go well beyond what you would expect a desktop video switcher to be able to do on its own.
Featured Articles,
Posted 26 Jun 2023
Bob Caniglia of Blackmagic Design talks with Marc Franklin about Blackmagic's latest cameras, switchers, and Resolve in this presentation from NAB 2023.
Featured Articles,
Posted 21 Jun 2023
The potentially game-changing update to Premiere Pro announced at NAB 2023 became available in late May: text-based editing.
Featured Articles,
Posted 20 Jun 2023
Streaming Media's Marc Franklin talks with Other World Computing (OWC) Founder and CEO Larry O'Connor about their new Atlas Media Cards, readers, and Innergize software in this tech talk presentation from the OWC booth at NAB 2023.
Featured Articles,
Posted 20 Jun 2023
The broadcast industry has changed at an extraordinary pace. Both the underlying technology and consumers' viewing habits have evolved into a complex and varied market. Broadcast news has been no exception, from both the production level and the end result for viewers. Sam Peterson of Bitcentral writes about the ways that collaboration empowers production teams to maximize efficiency.
Featured Articles,
Posted 14 Jun 2023
Want to generate and produce videos in dynamic, detailed, and customizable virtual environments using nothing but the built-in video capabilities of your smartphone plus a single subscription-service app? Skyglass Movie Effects Camera App makes it possible, and IEBA Communications' Anthony Burokas explains how.
Featured Articles,
Posted 14 Jun 2023
Knowing where and how your content will be viewed should affect how you produce it. Whether you leave room for commercial breaks or whether you push through as if they aren't there are content considerations that are worth addressing at the outset. For narrative content, this is not just an editing decision: It's something worth keeping in mind even in the writing stage.
Featured Articles,
Posted 07 Jun 2023
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